Confessions II — clear PVC tubing, 285 × 125 × 210 cm
Confessions II — clear PVC tubing, 285 × 125 × 210 cm, 2022
2022
An extension of ' ', this work transitions from a two-dimensional drawing into a physical, spatial installation. Centered around the same pot of devil's ivy, the structure is designed as a vessel that cradles and elevates the plant into mid-air.
While sourcing materials for this project, I stumbled upon these aqua-blue translucent tubing—its flexible yet resilient nature instantly reminded me of the plant's soft, enduring stems.
An extension of ' ', this work transitions from a two-dimensional drawing into a physical, spatial installation. Centered around the same pot of devil's ivy, the structure is designed as a vessel that cradles and elevates the plant into mid-air.
While sourcing materials for this project, I stumbled upon these aqua-blue translucent tubing—its flexible yet resilient nature instantly reminded me of the plant's soft, enduring stems.
這件作品延伸自 。有別於原本的平面畫作，這次呈現的是實體裝置。作品同樣以那盆黃金葛為核心，是一座能將它容納並托舉於半空中的結構。
這件作品延伸自 。有別於原本的平面畫作，這次呈現的是實體裝置。作品同樣以那盆黃金葛為核心，是一座能將它容納並托舉於半空中的結構。
在尋找材料的過程中，我偶然發現了這種淡水藍色的透明塑膠軟管，它輕盈柔軟卻又堅韌，讓我聯想到黃金葛的莖蔓。
在尋找材料的過程中，我偶然發現了這種淡水藍色的透明塑膠軟管，它輕盈柔軟卻又堅韌，讓我聯想到黃金葛的莖蔓。
Capable of thriving hydroponically, devil’s ivy naturally embodies the motif of water, alongside water tubes and the color blue, it connects to the underlying theme of my previous work, where the ocean represents overwhelming, hard-to-digest emotions.
Through intricate weaving, repetitive movement, and an intentionally slowed rhythm, this piece serves to soothe an indescribable emotional weight. Extending like the plant’s own root system, the woven textures gradually transform a chaotic organic network into a human-made, orderly pattern.
Capable of thriving hydroponically, devil’s ivy naturally embodies the motif of water, alongside water tubes and the color blue, it connects to the underlying theme of my previous work, where the ocean represents overwhelming, hard-to-digest emotions.
Through intricate weaving, repetitive movement, and an intentionally slowed rhythm, this piece serves to soothe an indescribable emotional weight. Extending like the plant’s own root system, the woven textures gradually transform a chaotic organic network into a human-made, orderly pattern.
黃金葛作為能水耕的植物，與水管、水藍色共同都富有「水」的意象。串聯起前作品中海洋代表龐大、難以消化情緒的脈絡，這件作品透過繁複的編織、重複性的行為與刻意放緩的節奏，去撫平並舒緩那些難以言表的沉重情緒。編織的紋理如黃金葛根部的延伸，將原本錯綜複雜的有機脈絡，漸漸梳理出具人造秩序的編織圖樣。
黃金葛作為能水耕的植物，與水管、水藍色共同都富有「水」的意象。串聯起前作品中海洋代表龐大、難以消化情緒的脈絡，這件作品透過繁複的編織、重複性的行為與刻意放緩的節奏，去撫平並舒緩那些難以言表的沉重情緒。編織的紋理如黃金葛根部的延伸，將原本錯綜複雜的有機脈絡，漸漸梳理出具人造秩序的編織圖樣。